Most Popular
Most Popular sponsored by
Blogs
Mon Oct 13, 7:56 AM
Mon Oct 13, 6:57 AM
Fri Oct 10, 5:15 PM
Fri Oct 10, 4:57 PM
Mon Oct 13, 8:01 AM
Mon Oct 13, 5:24 AM
Mon Oct 13, 10:12 AM
Recent Articles
Recent Articles by Andy Stonehouse
Rooney's power pop infiltrates a valley of angry young men.
Celeste Krenz's folk tales take her to country's capital.
Britain's William Topley finds a second home in Colorado.
Sucker
Joe Jackson
No related articles found
National Features >
Village Voice
Subjected to the light of day, Sarah Palin doesn't look like a maverick at all.
By Wayne Barrett
SF Weekly
Exposing a construction-site scam only a San Francisco cop could love.
By Joe Eskenazi
Houston Press
Ronald Taylor is one of perhaps hundreds of innocent people Harris County has put in prison.
By Randall Patterson
Critic's Choice
Joe Jackson
Published on December 07, 2000
When he began a career in the brave new world of New Wave, Joe Jackson, Saturday, December 9, at the Paramount Theatre, seemed poised for long-term success in the vein of equally iconoclastic contemporaries like Elvis Costello and Graham Parker. But Jackson's subsequent and frequently hard-to-peg meanderings into ska, jump-swing jazz and full orchestral works left most fans lost in the shuffle. Fresh from August's radio-industry showcase in Boulder, Jackson comes to the Paramount with a full performance of his newest release, Night and Day II. It's an effective sequel to 1982's seamless package of Cole Porter-styled piano pop, complete with a guest appearance by the equally elusive Marianne Faithfull. Jackson will also be at the Tattered Cover in LoDo on Friday, December 8, reading from his book A Cure for Gravity.