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Recent Articles by Andy Stonehouse

National Features >

  • Village Voice

    The Book of Sarah

    Subjected to the light of day, Sarah Palin doesn't look like a maverick at all.

    By Wayne Barrett

  • SF Weekly

    Building Overtime

    Exposing a construction-site scam only a San Francisco cop could love.

    By Joe Eskenazi

  • Houston Press

    Don't Nobody Cry

    Ronald Taylor is one of perhaps hundreds of innocent people Harris County has put in prison.

    By Randall Patterson

Critic's Choice

Joe Jackson

By Andy Stonehouse

Published on December 07, 2000

When he began a career in the brave new world of New Wave, Joe Jackson, Saturday, December 9, at the Paramount Theatre, seemed poised for long-term success in the vein of equally iconoclastic contemporaries like Elvis Costello and Graham Parker. But Jackson's subsequent and frequently hard-to-peg meanderings into ska, jump-swing jazz and full orchestral works left most fans lost in the shuffle. Fresh from August's radio-industry showcase in Boulder, Jackson comes to the Paramount with a full performance of his newest release, Night and Day II. It's an effective sequel to 1982's seamless package of Cole Porter-styled piano pop, complete with a guest appearance by the equally elusive Marianne Faithfull. Jackson will also be at the Tattered Cover in LoDo on Friday, December 8, reading from his book A Cure for Gravity.


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