Most Popular

Recent Articles

Recent Articles by Terry Sawyer

National Features >

  • City Pages

    Being Tron Guy

    Meet the man inside the glowing Spandex unitard, who refuses to be a "geek pinata."

    By Ben Palosaari

  • Riverfront Times

    Evil Amongst Us

    The nation's best known--and perhaps only--demonologist keeps up the struggle against Satanic spirits.

    By Aimee Levitt

  • Miami New Times

    Taps

    Sensing the end of an era, bottled-water companies spend billions to keep an eco-unfriendly industry alive.

    By Lee Klein

  • Village Voice

    John Steinbeck's Ghosts

    A man fascinated by a violent 1930s strike solves a mystery with the help of a mobster's musician.

    By Tony Ortega

Welcome

Sirs
Fat Cat

By Terry Sawyer

Published on May 10, 2007

In an era when you can practically take every album into the critic's version of the CSI laboratory (complete with Zero 7 playing in the background) in order to determine its exact points of reference and the width of its bandwagon tread, it's refreshing to hear something like Welcome's Sirs, so fuck-all off the mark and on point. Although the Seattle four-piece has clearly taken ragged cues from the Nuggets compilations, borrowing the best tendencies of '60s psych to drop a melody through the bottom of a gutbucket, there's so much more here, including trace elements of Mudhoney, Sonic Youth and the Pixies' perfect-trash-rock-candy singles. Meanwhile, tunes like "Bunky" throw a Cocteau Twins curve of beautiful female vocals encased in ice noise. If Sirs has a recurring presence, it's one of coarse spontaneity and a relentless sense that Welcome creates these glorious messes with hard work and harder luck. 'Lo-fi' might seem like a fitting term for it all, but such a toss-off adjective does little justice to a band with this level of talent and flippant boundlessness.



Westword Insiders

  • Local food, music and news blasts
  • Free Stuff
Backpage.com