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Recent Articles
Recent Articles by Michael Roberts
Scars on Broadway
Interscope
Sunday, August 17, Larimer Lounge, 303-291-1007.
Friday, August 15, Red Rocks Amphitheatre, Morrison, 303-830-8497.
The Avenue
Self-released
Guitarist Don Felder writes about his ouster from the Eagles.
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National Features >
City Pages
Meet the man inside the glowing Spandex unitard, who refuses to be a "geek pinata."
By Ben Palosaari
Riverfront Times
The nation's best known--and perhaps only--demonologist keeps up the
struggle against Satanic spirits.
By Aimee Levitt
Miami New Times
Sensing the end of an era, bottled-water companies spend billions to keep an eco-unfriendly industry alive.
By Lee Klein
Village Voice
A man fascinated by a violent 1930s strike solves a mystery with the help of a mobster's musician.
By Tony Ortega
Al Green
Lay It Down
Blue Note
Published on May 22, 2008
Most producers who supervise reclamation projects for aging stars make the mistake of trying to contemporize the artist's sound — the equivalent of dressing your eighty-something Uncle Jake like a 21st-century club kid. Not so Roots drummer Amir "?uestlove" Thompson, who helmed the Al Green comeback platter Lay It Down. Instead of larding the tracks with loops, he aims for the gorgeous soul simplicity of Green's '70s-era classics. Sure, guest stars like John Legend turn up — but the focus stays on Green, who seems invigorated by the pristine settings heard on the title track, "Too Much" and the rest, including elegant horn work and Thompson's approximation of the singular Hi Rhythm Section that powered the Reverend's greatest hits. The enjoyable results prove that change isn't always good.