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  • Houston Press

    The Passion of Victoria Osteen

    A flight attendant's smackdown with the wife of mega-preacher Joel Osteen inspires a whole new set of commandments.

    By Rich Connelly

  • City Pages

    Your Field Guide to the RNC

    Today Denver, tomorrow the Twin Cities.

    By Matt Snyders and Bradley Campbell

  • The Pitch

    Star Power

    A country musician rescues Waylon Jennings' tour bus from the scrap heap.

    By C.J. Janovy

  • Village Voice

    Serrano's Second Movement

    The provocateur who brought you "Piss Christ" pinches off a new concept.

    By Lynn Yaeger

The Still City

Light and the Machines
Self-released

By Eryc Eyl

Published on July 03, 2008

The Still City's emo-inflected rock has taken a giant leap forward. On Light and the Machines, Ryan Murphy's synth lines are front and center next to Brendan Gann's percussive bass lines, adding a slight new-wave edge to the songs, while Brandon Roth's supernaturally kinetic drumming roughens the edges and keeps the songs hurtling forward. Even Brian Knab's vocals seem stronger, more emotive and confident than before, giving tracks like "Sleepwalkers for Life" and the Cure-like "A Bedroom and a Parking Spot" a raw sincerity and power. When the instrumental layers are stripped away on the acoustic version of "I Believe in Mathematics," which closes the EP, the group's gift for sing-along melodies and memorable songwriting shines through like a winter sun breaking through gloomy clouds.



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