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Recent Articles
Recent Articles by Eryc Eyl
Conor Oberst
Merge Records
Tuesday, July 29, Ogden Theatre, 303-832-1874.
Weaned on Metallica, this duo makes acoustic guitars sound heavy.
Mugiboogie
Ipecac Recordings
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Houston Press
A flight attendant's smackdown with the wife of mega-preacher Joel Osteen inspires a whole new set of commandments.
By Rich Connelly
City Pages
Today Denver, tomorrow the Twin Cities.
By Matt Snyders and Bradley Campbell
The Pitch
A country musician rescues Waylon Jennings' tour bus from the scrap heap.
By C.J. Janovy
Village Voice
The provocateur who brought you "Piss Christ" pinches off a new concept.
By Lynn Yaeger
The Still City
Light and the Machines
Self-released
Published on July 03, 2008
The Still City's emo-inflected rock has taken a giant leap forward. On Light and the Machines, Ryan Murphy's synth lines are front and center next to Brendan Gann's percussive bass lines, adding a slight new-wave edge to the songs, while Brandon Roth's supernaturally kinetic drumming roughens the edges and keeps the songs hurtling forward. Even Brian Knab's vocals seem stronger, more emotive and confident than before, giving tracks like "Sleepwalkers for Life" and the Cure-like "A Bedroom and a Parking Spot" a raw sincerity and power. When the instrumental layers are stripped away on the acoustic version of "I Believe in Mathematics," which closes the EP, the group's gift for sing-along melodies and memorable songwriting shines through like a winter sun breaking through gloomy clouds.