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Recent Articles
Recent Articles by Tom Murphy
Wednesday, September 10, hi-dive, 720-570-4500.
Untitled Split CD
Self-released
Friday, August 29, Owsley's Golden Road, 303-297-1772; Saturday, August 30, Fox Theatre, Boulder, 303-443-3399.
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National Features >
SF Weekly
A blogger steals someone else's life story and calls it her own.
By Ashley Harrell
Miami New Times
The family of a dead judge blames a creeping fungus in the federal courthouse.
By Tim Elfrink
The Pitch
I worked at Kmart with John McCain's director of strategy.
By Alan Scherstuhl
The Siren Project
Oriental Theater
Published on July 17, 2008
Because singer Malgorzata Wacht moved to the United States from Poland before the term "alternative" became synonymous with "grunge," she never had to be saddled with that musically hermetic attitude that precludes certain people from appreciating the haunting and seductive beauty of Dead Can Dance, as well as the imaginative genius found within the swirling, roiling, shining guitar rock of Twice Wilted. As a result, the music of the Siren Project (due at the Oriental Theater on Thursday, July 17) fearlessly incorporates electronic music with atmospheric rock and the traditional folk of her homeland. There is a smoky, dusky, Euro-decadence that gilds the edges of the band's sound and lends it a mysterious, dreamy character, with Wacht's arrestingly operatic vocals soaring throughout to create songs that are as captivating as they are otherworldly.