Most Popular

Recent Articles

Recent Articles by Tom Murphy

National Features >

  • Houston Press

    The Passion of Victoria Osteen

    A flight attendant's smackdown with the wife of mega-preacher Joel Osteen inspires a whole new set of commandments.

    By Rich Connelly

  • City Pages

    Your Field Guide to the RNC

    Today Denver, tomorrow the Twin Cities.

    By Matt Snyders and Bradley Campbell

  • The Pitch

    Star Power

    A country musician rescues Waylon Jennings' tour bus from the scrap heap.

    By C.J. Janovy

  • Village Voice

    Serrano's Second Movement

    The provocateur who brought you "Piss Christ" pinches off a new concept.

    By Lynn Yaeger

Teeth Mountain

Sunday, August 10, Rhinoceropolis, 303-641-9809.

By Tom Murphy

Published on August 07, 2008

Although Baltimore, Maryland may not be the home of the new wave of tribal sounds in underground music, it is most certainly one of that movement's centers — as evidenced by Teeth Mountain, which uses driving percussion in layers like some bands use guitars. The outfit's hypnotic drones, which at times recall the Velvet Underground's White Light/White Heat, suggest that its members also learned a thing or two from the heady intensity of Crash Worship and the exoticism of Brian Eno and David Byrne's My Life in the Bush of Ghosts. There's an otherworldly sacredness to the band's music that doesn't sound like it could ever have come from a major urban center in these United States. If anything, it's closer to the music that the people of Bali perform during the Eka Dasa Rudra ritual.



Westword Insiders

  • Local food, music and news blasts
  • Free Stuff
Backpage.com